Quiet areas: outer experiences and inner sensations – a qualitative approach using film and drones

Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research

Standard

Quiet areas : outer experiences and inner sensations – a qualitative approach using film and drones. / Petersen, Rikke Munck.

InterNoise Proceeding. 2016. p. 3941-3952.

Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research

Harvard

Petersen, RM 2016, Quiet areas: outer experiences and inner sensations – a qualitative approach using film and drones. in InterNoise Proceeding. pp. 3941-3952, 45th International Congress and Exposition on Noise Control Engineering INTER-NOISE 2016, 21/08/2016.

APA

Petersen, R. M. (2016). Quiet areas: outer experiences and inner sensations – a qualitative approach using film and drones. In InterNoise Proceeding (pp. 3941-3952)

Vancouver

Petersen RM. Quiet areas: outer experiences and inner sensations – a qualitative approach using film and drones. In InterNoise Proceeding. 2016. p. 3941-3952

Author

Petersen, Rikke Munck. / Quiet areas : outer experiences and inner sensations – a qualitative approach using film and drones. InterNoise Proceeding. 2016. pp. 3941-3952

Bibtex

@inproceedings{61c81d37dc284eb8958c7477b937266d,
title = "Quiet areas: outer experiences and inner sensations – a qualitative approach using film and drones",
abstract = "This paper argues that drone filming can substantiate our understanding of multisensorial experiences of quiet areas and urban landscapes. Contrary to the distanced gaze often associated with the drone, this paper discusses drone filming as an intimate performativity apparatus that can affect perception as a result of its interrelationships between motion, gaze, and sound. This paper uses four films, one of which is a drone flyover, to launch a discussion concerning a smooth and alluring gaze, a sliding gaze that penetrates landscapes, and site appearance. Films hold the capacity to project both a site and near-sensory experience. In so doing, films can achieve an intimate reflection of both outer experience and affection of inner sensations, and the audio-visual and time-space based presentation of this dualism can mimic human experience. This paper discusses how this embedded transference and transcendence can facilitate a deeper understanding of intimate sensations, substantiating their role in the future design and planning of urban landscapes. Hence, it addresses the ethics of an intimacy perspective (of drone filming) in the qualification of quiet areas.",
keywords = "Former LIFE faculty, affect, experience, sensation, film, drones, design, planning",
author = "Petersen, {Rikke Munck}",
year = "2016",
language = "English",
pages = "3941--3952",
booktitle = "InterNoise Proceeding",
note = "null ; Conference date: 21-08-2016 Through 24-08-2016",
url = "http://www.internoise2016.org/",

}

RIS

TY - GEN

T1 - Quiet areas

AU - Petersen, Rikke Munck

PY - 2016

Y1 - 2016

N2 - This paper argues that drone filming can substantiate our understanding of multisensorial experiences of quiet areas and urban landscapes. Contrary to the distanced gaze often associated with the drone, this paper discusses drone filming as an intimate performativity apparatus that can affect perception as a result of its interrelationships between motion, gaze, and sound. This paper uses four films, one of which is a drone flyover, to launch a discussion concerning a smooth and alluring gaze, a sliding gaze that penetrates landscapes, and site appearance. Films hold the capacity to project both a site and near-sensory experience. In so doing, films can achieve an intimate reflection of both outer experience and affection of inner sensations, and the audio-visual and time-space based presentation of this dualism can mimic human experience. This paper discusses how this embedded transference and transcendence can facilitate a deeper understanding of intimate sensations, substantiating their role in the future design and planning of urban landscapes. Hence, it addresses the ethics of an intimacy perspective (of drone filming) in the qualification of quiet areas.

AB - This paper argues that drone filming can substantiate our understanding of multisensorial experiences of quiet areas and urban landscapes. Contrary to the distanced gaze often associated with the drone, this paper discusses drone filming as an intimate performativity apparatus that can affect perception as a result of its interrelationships between motion, gaze, and sound. This paper uses four films, one of which is a drone flyover, to launch a discussion concerning a smooth and alluring gaze, a sliding gaze that penetrates landscapes, and site appearance. Films hold the capacity to project both a site and near-sensory experience. In so doing, films can achieve an intimate reflection of both outer experience and affection of inner sensations, and the audio-visual and time-space based presentation of this dualism can mimic human experience. This paper discusses how this embedded transference and transcendence can facilitate a deeper understanding of intimate sensations, substantiating their role in the future design and planning of urban landscapes. Hence, it addresses the ethics of an intimacy perspective (of drone filming) in the qualification of quiet areas.

KW - Former LIFE faculty

KW - affect

KW - experience

KW - sensation

KW - film

KW - drones

KW - design

KW - planning

M3 - Article in proceedings

SP - 3941

EP - 3952

BT - InterNoise Proceeding

Y2 - 21 August 2016 through 24 August 2016

ER -

ID: 161868339